Interview | 克里斯多福諾蘭談IMAX

via EW

預告比較重要，所以這篇就不翻譯了

蝙蝠洞有翻譯

ENTERTAINMENT WEEKLY: Like several of your other films, this opening sequence justbegins — we’re in it from the get-go. Why do you like to do that?
CHRISTOPHER NOLAN: You know, I probably haven’t thought it through intellectually, if you like. My feeling, particularly on an action film, is you want to be thrown into a situation that somehow takes your breath away early in the film. I think rhythmically — you know, I view these films as pieces of music — if you start with a bit of a bang, it buys you more time to then calmly move into the story and the characters. We have a lot of characters in this film, a lot of people to introduce, a lot of catching up to do with the audience. So I think it was important to really throw something big on screen and then take our time.

How much of the film did you shoot on IMAX?
We shot about twice what we did last time [on The Dark Knight], at least. Last time we were about 25 minutes [in IMAX]. Obviously, I haven’t cut [the rest of The Dark Knight Rises] yet, so I don’t know the exact running time, but I think we’ll be in the 45 to 50 minute range. Basically all the actions sequences, and some of the more large-scale other bits of the film that aren’t necessarily action. We even shot some dialogue scenes and some quite intimate dramatic scenes, which we haven’t done before. And so some of that will make its way into the film.

Did you ever contemplate shooting the entire film in IMAX?
I didn’t, because the cameras are so loud and so large, it wouldn’t really have been fair for the actors to make them do all the dramatic scenes that way. Although, I have to say, there were some very intense scenes that we did do in front of this massive camera that sounds like a generator or something, and they really did a spectacular job.

Would you ever shoot a film only in IMAX?
Oh, it would depend on the film. I don’t like to use ADR sound — I don’t like to record the dialogue afterwards. And so, unless they could make an IMAX camera that was quiet enough to shoot dialogue scenes, I think I’d always want to go to 35mm,  or 65mm like we did withInception.

With this prologue out there, people who have been anticipating this movie for a while are going to scrutinize and devour it. Are you excited by that? Are you nervous?
I am excited about it. I’m only nervous about it in that the rest of the film isn’t finished yet, so we’re still in the evolving creative process. I wouldn’t want the reactions to skew that. We try to work in a vacuum a little bit.

How much are you finding the film in the editing room? Or do you pretty much know how it fits together in your head?
It’s always different in the editing room. There’s a lot of discovery and a long process of rediscovery.